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Deaf Architects And Blind Acousticians
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Deaf Architects And Blind Acousticians Pdf Viewer
Search the history of over 345 billion web pages on the Internet. More often than not, I recall it as “Blind Architects and Deaf Acousticians”, perhaps due to my own questionable hearing abilities but perhaps the mix-up is not as far-fetched as one might think. Cymatics, speaking simply, is the science of visualising sound, one of the most famous examples is the Chladni Plate, a visual display of the. The deaf are thus symbols of isolationism and exclusionism as well as ostracism. But deafness can profoundly exist beyond the determining symbolism of films like The Tribe. In November 2013, The Junior Eurovision Song Contest took place in Kiev, Ukraine. DOWNLOAD PDF. Time-Saver Standards for Architectural Design Data seventh edition The Reference of Architectural Fundamentals. A guide for architects Carolyn Dasher. Readbag users suggest that Janse_Abstracts_2010.pdf is worth reading. To allow architects to understand auralizations and embrace them into their design processes. Cargado por antonello. The deaf can lead the deaf just as the blind can lead the blind. Landscape architects, engineers, acousticians and others.
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<p>1Sensory Urbanism Proceedings 2008January 8th & 9th, 2008University of Strathclyde, GlasgowEdited by Ray LucasGordon MairThe Flneur Press, 2008printed by Lulu.com2Sensory Urbanism Proceedings 2008Due to time constraints on the research team, it has proven impossible to fully edit each paper.As such, the papers presented in this book are printed much as they were given to us, with some formatting work completed.We apologise for any small typographic and grammatical errors, and hope that the spirit of the paper remains true.The responsibility for the copyright of papers and illustrations lies with each author.Each author holds the copyright of their paper.I would like to express my sincere thanks for your patience whilst the proceedings have been in production.Once again, many thanks are due to all of our authors, who have produced such a fasci-nating selection of papers.It was a joy to read them all again.Dr Ray Lucas, December 2008First Published in 2008 byThe Flneur Press164/2 Easter RoadEdinburghEH7 5QEAll rights reserved.No part of this publication may be reproduced in any form or by any means without the written permission of the individual authors.A catalogue record for this book is available from the British Library.ISBN 978-0-9559906-0-1 (Paperback)Printed by Lulu.comhttp://web.mac.com/raymond.p.lucas/Sensory_Urbanism/Sensory_Urbanism.htmlhttp://web.mac.com/raymond.p.lucas/Flaneurpress.html3Sensory Urbanism Proceedings 2008CONTENTSCitySpinning: Frameworks for a Collective Reinterpretation of the Ambient Possibilities of Public Spaces,Prayas Abhinav & Yashas ShettyMy Kind of TownRobert Brown Drawing out Experience; Between Media & Place Vincent CanizaroAmbience Formers in Built Environment Grgoire ChelkoffSensible FormsAndrew ConioApproaching Urban Space Through DrawingHelena Elias & Maria Constana VasconcelosBlacktop: A story of the washing of a schoolyardSuzanne EwingTransit SpacesWael FahmiA Proposed Structure for a Programme of Urban Soundscape Re-searchMike FedeskiCity Identity and PresenceMarie Frier, Nanna Gram Thomassen, and Anna Marie FiskerHaptics and Vision in ArchitectureJasmien Herssens and Ann HeylighenDesign and communication in a multi-sensory environmentPeter Howell and Julia IonidesAwakening the Blinded SensationHsieh, MIn-FengAural Wallpaper and Music of the CityHarvey Ward Turner & Laura Lewis PAGE52028384755657283941021131201284Sensory Urbanism Proceedings 2008CONTENTSDesigning a Notation for the SensesRay LucasThe Plays the ThingGeoff MatthewsFactor Analysis of the Pedestrian Number in a Downtown Area Us-ing Visibility IndicatorsAkira Ohta, Rim Meziani, Yuta Sugiura and Toshiyuki KanedaPictorial FictionsMizrahi, MalcaAdjacency, Permeability & Inter-VisibilityAkkelies van NesNight City and SchizophreniaJulien Richard Beyond the VisualRobert Rogerson & Gareth RiceAerial (Brass) & Object Scores Kirsty StansfeldStockholm, Slowly, StillNaomi SteadNothing More than Feelings Quentin StevensMaterials in Architectural Design Lisa Wastiels & Ine WoutersSensory Experiences of Home Anna Wieczorek & Magali Paris PAGE1371491581651721801861941992092172241. AbstractThepaperexaminesCitySpinning,apub-lic art project initiated by Prayas Abhinav, a Postgraduate student at the Center for Exper-imental Media Arts in Bangalore. City Spin-ning is a series of interventions that incorpo-rates unused and vacant spaces around the cityofBangalore. Theprojectre-interprets these spaces with references borrowed from the free software movement and the creative commonsmovement,makingthesespaces moreconfgurablewhilenotimposingany restrictionsortransactionsonindividuals wishing to negotiate with these spaces. The technology for letting individuals con-fgure such spaces has become more acces-siblewithcheaperenvironmentalsensors, access to physical computing environments such as the Arduino boards, mobile and data communicationservicesandweb-based socialnetworksformakingadhoccrews/teams/interestgroups.Thesetoolsenable collectivecommunitiesinterestedincus-tomizinganurbanspacetocometogether andsharethelegal,conceptualandnet-working tools needed to remix a space. The use of multiple sensors and the ability of the collectivetocontrolthesensoryambiance of space can help in creating more engaging experiences for individuals. 52.IndianCitiesinBoom-time BangaloreandMumbaiaretwocitiesin Southernand WesternIndia.Eachofthem hastheirownboomstorytotell.Each contributesanincreasingpercentofthe gross national income. Withthiseconomicsuccessthereisal-mostauniversalinterestinbusinesses,in-dividuals,andfamiliestobeapartofthis story,leadingtoheavyinvestmentsinreal estate and migration of labour. This has cre-ated pressure of varied intensities on the city planners to make more of the city available forcommercialdevelopment,enhanceur-baninfrastructurefromtheperspectiveof the key economic stakeholders/drivers such asthebiginvestorsandbigemployment providers.However,therearealsonumer-ous agitations contesting this drive in these cities. Themostvocaloftheseagitationsmight betheonesinMumbai. Thecivicauthori-ties want to clear Dharavi, which is the larg-est informal settlement (or slum) in Asia and auction it off to commercial developers. Al-though some kind of rehabilitation plan has been put in place, there are bigger questions here. Questions about the identity, rights and CitySpinning: Frameworks for a Collective Reinterpretation of the Ambi-ent Possibilities of Public Spaces Prayas Abhinav and Yashas ShettyCEMA, Srishti School of Art, Design and Technology, Ban-galorestakes of different communities on the land on which they live. Bordering the airport, it is a city within acity. Numerous researchers, journalists,photographershavespenttime theretryingtounderstandthefuxonthe ground. InBangalorewiththeITindustrydriving mostofthegrowth,high-valuejobsand global interest in the city, a powerful lobby has taken shape. This lobby has pressurized the government numerous times to look af-ter its interests. These demands have mostly beenforstablebusinessinfrastructure,like fyovers,roads,electricity,WiMaxwhich helps them increase their business effcien-cy. They have largely been successful in get-ting specifc commitments from the govern-ment. Thegovernmentistooconsciousof hurting its image of being Indias leading IT outsourcing hub amid the competitive bids from Pune, Hyderabad, Chennai and Delhi. Incontrastletuslookatthegarmentex-portindustryinBangalore.Itemploysa much higher [fgures] number of people but contributessubstantiallylesstothecitys grossturnoverandsoobviouslydoesnt have clout to demand anything for itself or itsworkers.Manyoftheworkersinthein-dustry live in one of the 700 slums around Bangalore. Slums marked as shadow areas in government plans. Shadow areas are de-fned on the basis of water supply level and thenumberofteachersforthearea.(The Two Bangalores, Menon, 2005) Thewaythesecitiesareshapingandthe way the governments are taking decisions about the trajectories they shouldtakearenottransparent.Theyac-commodate the needs of only some groups of people residing in these cities. The voices and opinions of a vast majority are not even registered. Thisone-sideddeafnesscreatessome-times amusing urban glitches. For example: 6Prayas Abhinav and Yashas ShettyTheinterestinthelate90sofbuildersto buildmallsallacrossIndialedtoaboom intheretailindustry,multiplexesandfast food,alargenumberofmallsexisttoday inMumbai,Bangalore,Ahmedabadand manyofthemenjoyalotofwalk-ins.But this boom has gone unchecked, with many malls coming up on the same street leading toanover-capacityandaneedtoconvert many of these nearly-completed and under-construction malls to commercial buildings offering offce-space instead of retail-space. Otherglitcheswerewitnessedintherapid rise and subsequent disappearance of bowl-ingalleysandpooltablesinmanyIndian cities in the 90s. If there is an ongoing conversation between theusersofcities(thatisthecitizens)and theplanners,buildersandarchitects,such expensive glitches might be avoided. In this paper I will explore different dimensions of this possibility. 3. Public-spaces Cities were invented to facilitate exchange the exchange of ideas, friendships, mate-rial goods and skills. How good a city is at facilitating exchange determines its health economic,social, cultural and environmen-tal. Public space forms a vital conduit in this exchangeprocess,providingplatformsfor everyday interaction and information fows the basis and content for the public life of cities.(PeopleMakePlaces:Growing The Public Life of Cities, Demos, 2005) Beforecarschangedthemeaningoflo-cationanddistanceincities,publicspaces like plazas, parks and playing grounds were about people from different ethnic and class backgrounds meeting and exchanging ideas, expressing world-views, forming groups and enriching themselves in other ways. One of theattractionsoflivinginabigmetropo-liswasthepossibilityofthissocialization. (Safdie & Kohn 1997, pp 12-13) (Intellectual Property: The Attack on Public Space in Cy-berspace, Besser, 2001) ScottMcQuirewritesinThePoliticsof Public Space in The Media City: [..] the rise of the suburbs was positioned asthenemesistothepublicspaceofthe moderncity.[..]DanielDayanandElihu Katz (1992) defned the media event large-ly in terms of the privatization of the public sphere: events once experienced collective-lyinpublicspacewereincreasinglycon-sumedbygreaternumbersofpeoplewho watched from the privacy of their individual homes. (The Politics of Public Space in The Media City, McQuire, 2005) So, across the last half of the 20th century with the rise of suburbs and the commuting culture we have seen public spaces fall out offavourofplannersandotherswhohave hadasayinshapingthecity. Andpeople seemtohavenotimetojusthangoutin parks, plazas etc. There has been a trend to think in terms of productivity and function-alism. Intheurbanlayouttheerstwhileroleof publicspacesisnowplayedbyprivate-lyownedpseudo-public-spaceslike malls,multiplexes and fast food outlets. These privatelyownedsharedspaceshavebeen abletoexertcontrolswhichpublicspaces hadgreatdiffcultyinexerting.Controls onfreespeech,politicalaction(distributing leafets, doing demonstrations), appearance (dress code), language (everything being in English) flter our undesirable and unwanted elementsandcreateasanitizedenviron-ment. The rights of admission are reserved. (Besser, 2001) In BODY MOVIES, an art project by Rafael Lozano-hemmertransformspublicspace with [..] interactive projections. Thousands of photoportraits taken on the streets of the 7City Spinningcitieswheretheprojectisexhibitedare shownusingroboticallycontrolledprojec-tors.However,theportraitsonlyappearin-side the projected shadows of local passers-by [..] (McQuire, 2005) ScottMcQuiresuggeststhatLozano-henners work involves strangers to suspend habits and try to fgure out the interface and interplay of the project through experimen-tation. He uses this work as an example to describe the ways in which social inter-min-gling and interaction is beginning to happen againinpublicspacesinthemedia-city andpredictsthatsuchprojectscouldbe-come important tools for rethinking the sub-mission of urban space to commodity spec-tacle and surveillance, and for forging new ways of engaging with others in public. AshokSukumaran,anarchitectandartist howeverarguesthatLozanohennerslater worksandincreasinglyalsoofmanyother artists infuenced by it could be described [..] as the connection of any input/sensing device to an arbitrary output format. He says that audiences just begin toexpectoneortheotherformofbenign mediatoappear,inresponsetotheirpres-enceandtheworksfailtoactuallydeal withthepublicsinmeaningfulways. (Venice Biennale Part II: On Rafael Lozano-Hemmers Work, Sukumaran, 2007) Withphysicalcomputingandcode-based artdominatingalotofthebuzzaround publicspaceinterventions,mediaartand interactiveartinthelastfewyears,artists are increasingly asking questioning the en-thusiasticuseofcomputinganditseffects andarenowseekingmorehuman,involv-ing and rooted ways of using tools like ardu-inoboards,wiring,picocricketandthevast range of possibilities which electronics and computing offers. NumerousartistssuchasTheSpaceHi-jackers, Reclaim The Streets,kraut, Wochen-klauser, Bed By Night, Krzysztof Wodiczko, MichaelRakowitz,AshokSukumaranuse interestingpublicapproaches.Iwillde-scribesomeworksbytheseartistslaterin the paper. 4. Dreaming Up Spaces TheSituationistInternational(SI)wasa group of artists,flmmakers, writers and oth-ersactivemostlyinParisfrom195x-197x. They have infuenced the way artists, archi-tects, writers and othersimagine and narrate theircities.Wordslikepsychogeography, derive,detourement,unitaryurbanismhave become a part of the vocabulary used to talk of cities. The approach called unitary urbanism pro-posed a combined use of arts and techniques as means contributing to the construction of aunifedmilieuindynamicrelationwith experiments in behaviour.(Defnitions, The Situationist International, 1958) Theyheldthepositionthatcontemporary city-planninghasmadepeopleblindtoa livingcritiqueofthismanipulationofcit-iesandtheirinhabitants,acritiquefuelled byallthetensionsofeverydaylife.Aliv-ingcritiquemeanssettingupbasesforan experimentallifewherepeoplecancome together to create their own lives on terrains equippedtotheirends.(BasicProgramof theBureauofUnitaryUrbanism,Kotanyi and Vaneigem, 1961) For them being sensitive to spaces, listening to what the city had to say was very impor-tant. They practised a form of walking / wan-dering around the city called a derive. Inaderiveoneormorepersonsduring acertainperioddroptheirrelations,their work and leisure activities, and all their oth-er usual motives for movement and action, andletthemselvesbedrawnbytheattrac-8Prayas Abhinav and Yashas Shettytions of the terrain and the encounters they fnd there. (Defnitions, The Situationist In-ternational, 1958) They were interested in the specifc effects ofthegeographicalenvironment(whether consciouslyorganizedornot)ontheemo-tions and behaviour of individuals. Broadly this process was called psychogeography by the SI. In Another City for Another Life, Constant describe the city as they imagined it. [We]envisagecoveredcitiesinwhich thelayoutofroadsandseparatebuildings willbereplacedbyacontinuousspatial constructionelevatedabovetheground, includingclustersofdwellingsaswellas publicspaces[..].Sincealltraffc,inthe functional sense of the term, will pass on the ground level below or on overhead terraces, streetscanbeeliminated. Themultitudeof different traversable spaces of which the city iscomposedwillformacomplexandvast social space. (In Another City For Another Life, Constant, 1961) Someurbaninterventionsbyartistsand others,whichre-imaginecitiesinradical and sensitive ways are described below. TheSpaceHijackers:TheSpaceHijack-ers (TSH) describe themselves as anarchists, [..]weopposethehierarchythatisput uponusbyArchitects,Plannersandown-ersofspace.Throughtheeventsthatwe holda..</p>